SHALL WE DANCE ? LIFE AS A DANCE FLOOR? :: essays research papers

You expect a comedy to tickle your funny bone so you can walk bring out chuckling. Yes, Shall We Dance does deck up laughs. solely - it also raises some interesting questions. The DVD says its A New Comedy About Following Your Own Lead and a joke like that is bound to appeal to the individualistic age we are supposed to be living in. It does indeed and yet, what is happiness and contentment? Is it a lovely, loving and love spouse and all the trappings of a comfortable settled life? Can in that location be a sense of incompleteness in appall of having everything? Is that then ingratitude? Should one be allowed to pursue individual goals? At what cost? John (Richard Gere) and Beverly (Susan Sarandon) Clark are comfortably married. They have two children, and he a good job as a lawyer. Yet, he is not happy. He fills the void in his life by impulsively shooting out of his commuter train seat up the stairs of Miss Mitzis Dance School after being captivated by Paulina (Jennifer Lope z) gazing out of the tame window. A clumsy, shy, reluctant dancer at first, he taps a hidden side to his personality and blossoms into an accomplished ballroom dancer. All very well, buy food none of his family is aware of this chrysalis bursting open in this way. In roughly one hour and forty-five minutes, the film turns all expectations and predictability on their respective heads. With all the sue building up towards the climactic Chicago Tattinger Trophy who could blame you for expecting a neatly wrapped package at that point Clark rewarded for his accomplishment, all revealed and settled? But - it is its aftermath that has much to say. Yes, there is dance as the mating ritual. Bobbie (Lisa Ann Walter), earthy, vivacious, loud, generous-hearted, is disappointed at Clarks treatment of Rumba, the dance of love. Paulina with her smouldering, controlled, Latino (stereotypical?) passion sets him straight. Yes, there is the hinted sexual attraction, even tension. But - there are al so the bonds forged of friendship, camaraderie and candour. Life and people are given a direction by and through dance. John Clark is able to put his life in perspective, while Paulina unearths a lost spirit to chase her dreams. Beverly, a romantic with her sense of chat up probably buried under the laundry, jackets at the apparel division where she works and the whims of two teenage children, is very understandably miffed but finds her feet again and how